Today I had lunch with Joy James and we talked about the Breath I/O project. She asked me some interesting questions about the type of affect we would like the piece to have. Why do what we are doing? How will people feel the experience of the lungs and the video and the sound and the interface? As she was talking and asking questions I could feel my mind going from the how to the why. I am so often preoccupied with the technical details of doing something. It felt nice to speak of the audience, to picture them in the room, to imagine the sounds they might hear. At first I pictured only one person entering a large dark room (the mocap studio actually) where the sound was louder than the picture. The sounds were enveloping, breath like, rhythmic and calm. There are several places to sit down near the ground and in front of each seat there is an object, each one different. The lungs are in a chorus formation breathing in sync, the video interchanges between them. The person picks up an object and holds it. One of the lungs gradually takes on more importance visually and the video is more consistent and clear. The sound of the video is heard over the breath. The singled out lungs have more personality and are not so in sync with the rest of the chorus which has faded to the background. The lungs are reacting to the video that is playing within them, sometimes sighing, sometimes coughing, sometimes fast breathing, sometimes deep breathing. The object vibrates in a association with the lungs. When more objects are picked up more lungs approach and start to interact with each other and the objects.
The feeling of the environment to be calm and conducive to a reflection on the bittersweet nature of life, the life cycles, the exchanges we have with people, the constant give and take of life. The preciousness and sadness of being human. The joy of movement and breath, of health.
Thanks for the talk Joy.
A song for this post.
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